Paints

Acrylic Paints

Amsterdam Standard Series

   Your choice for color. The Amsterdam Standard Series gives you the broadest range of brilliant, pure colors – all skillfully made based on a 100% acrylic emulsion and high grade pigments. Enjoy great lightfastness and a choice of opacities. Need something special? Discover the possibilities of our 17 Specialty Colors – metallic, pearl and reflex colors – that complement the balanced palette of this medium viscosity paint. Excellent adhesion on canvasses and walls – or use it on almost any other surface that you like.

Golden Heavy Body

   The first acrylic colors offered by GOLDEN, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colors offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added.

   Each Heavy Body color formula reflects the qualities of its pigment. Colors that tolerate a higher pigment load dry to a more opaque, matte finish. Colors that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colors contain no matting agents, the gloss of each color will be different. 

Golden OPEN

   OPEN Acrylics are a slow-drying paint with a slightly softer consistency than our Heavy Body paints. The increased working time of these colors expands their range to include more traditional techniques once only possible with oils. Thick applications can dry extremely slowly, so we recommend artists only use OPEN Colors thinly (< 1 mm). Drying time can also be accelerated by mixing OPEN with faster-drying acrylics like our Fluid and Heavy Body colors. The slow-drying capability of OPEN Acrylics also makes the suitable for some printmaking techniques.

   Because OPEN Acrylics dry slowly, painters who cover their palettes or use sealed containers have been able to use the same colors for weeks, reducing the amount of paint wasted and preserving color mixtures for future use.

Liquitex Heavy Body

   This is high viscosity, pigment-rich professional acrylic color, ideal for impasto and texture.

   With a high concentration of lightfast artist-quality pigment and a satin finish, Heavy Body Acrylic gives you rich, permanent color, with crisp brush strokes and knife marks.

M. Graham

   M. Graham acrylic artists’ color are made with the same devotion and craftsmanship that we use in our traditional media: small batches, quality ingredients, and the highest concentrations of color possible.

   The flow and delicacy of a gouache, with colors you’d expect from oil.

The result is fine art acrylic paint with bold vitality and a creamy delicacy of touch that offers you a world of opportunity — from fine detail to broad, full-brushed applications.

Enamel Paint

One Shot Lettering Enamel

   Designed for traditional sign painting, these oil based lettering enamels provide superior vibrancy, flexibility, durability, and single stroke coverage. Specified for fine, sign paint lettering on store fronts and vehicles, the vibrant colors of 1 Shot Lettering Enamels spread evenly and offer outstanding hiding, durability and fade resistance. Superior flow characteristics assure the virtual absence of brush marks and provide a clean, sharp edge. Ideal for use on interior or exterior metal, glass, wood, and enamel receptive banners and vinyl.

Goauche

M. graham

   M. Graham gouache is made in the time-honored tradition of binding pigment with pure honey and gum arabic, just as it was for Dürer and Boucher. Providing superior coverage and a creamy application, M. Graham fine art gouache delivers lightfast color designed for your permanent artwork.

   With no added chalk or white, you’re in control of creating the opacity you want—whether a soft, pearlescent glow or colors that pop with lively radiance.

Oil Paints

Gamblin Artist's Oil Colors

   Gamblin Artist's Oil Colors are crafted by hand with the well-being of artists, their work, and the environment in mind. True to historic working properties, yet safer and more permanent, they combine the best traditions of the past with the latest technical innovations, giving you the freedom to create without compromise. Made with the finest grades of pigment available (yes, there are differences), Gamblin Artist's Oils have luscious working properties, and each color possesses unique characteristics in terms of texture, undertone, and tinting strength. The range of colors includes both historically accurate paints and modern, synthetically derived hues. For everything from traditional realism to contemporary abstraction, you'll find your ideal colors within the Gamblin line. All Gamblin Artist's Oil Paints are completely non-toxic when used as recommended. Most are made with alkali-refined linseed oil as a binder, which creates a strong, flexible paint film and yellows significantly less than cold press linseed oil, the traditional binder in oil paints. Select colors use safflower oil as a binder. Not only are these vegetable oils completely non-toxic, they are commonly used in health and beauty products, so you can trust in their safety.

Gamblin 1980

   Since founding Gamblin Artists Colors, Robert Gamblin has wanted artists to be able to paint freely — to use color and texture without hesitation or reservation.
   To do this, painters need colors that are true. True to the pigment. True to historic working properties. True to the emotion of each color. Colors that feel right under the brush and that age right on the canvas.
Gamblin 1980 Oil Colors offer artists true color and real value. This line of 48 colors offers artists a better student-grade paint, made here in America at a terrific value, from a company you can believe in.

M.Graham

   In the tradition of the masters, M. Graham artists’ oil color is made with pure walnut oil for its brilliance, clarity, texture, and resistance to fading and yellowing. Working in small batches, we craft oil colors true to the roots of Renaissance painting: delicately free-flowing, solvent-free, and with no fillers or additives.

   With the exceptionally high pigment loads in M. Graham artists’ oil colors, your work will naturally feel more alive and vibrant, imbued with rich, lustrous color for years to come.

Winsor And Newton Artists' Oil Color

   Buttery and vibrant, our Artist's Oil Colour boasts 115 colours, made from only the finest pigments. We carefully formulate each tone for stability, tinting strength and coverage. Use them thickly with palette knives or brushes, or thin them to a very fine glaze. 

Spray Paints

Montana Gold

Montana GOLD is the perfect tool for all artists and creative workers. The specially developed Low-pressure system guarantees maximum accuracy to meet the highest requirements while giving professional results! High-covering and quick-drying acrylic lacquer. Montana GOLD allows for a new level of ease and control when painting with spray cans, with no cracking or color bleaching. The Montana GOLD color system has been completely overhauled and optimized by our dedicated team of artists and laboratory experts to make it perfect. With 200 matt acrylic colors, 2 metallic, 3 effect colors and 9 transparent colors possibilities, Montana GOLD offers one of the largest and most concise color range available in spray paint. Montana GOLD can be applied on canvas, wood, concrete, metal, glass or even flexible surfaces.

Montana 94

   Due to its technical characteristics and development, 94 is most certainly the best spray paint on the market. Ideal for all types of applications, its low pressure valve allows for excellent spray control.

   In 2006, Montana Colors embarked on a crusade to craft a paint that would be far superior to what the industry had previously seen. In 2009, the MTN 94 line was introduced to the world, named after the company’s initial launch in 1994. This paint was created with hefty market research and countless interviews with loyal artists from across the globe.

   MTN 94 set a new standard in spray paint quality and design; with the fusion of ultra fast drying time combined with a new synthetic matte finish formula in a low-pressure can. The high quality components offer an incomparable versatility and precision control in any application.

The MTN 94 line is a full palette of rich colors, with 147 matte finish colors of which 114 are new and unique to the brand. Additionally, the other 33 colors crossover into the Hardcore and Alien lines that ultimately makes MTN 94 the largest color palette to date in the Montana Colors spray paint family.

Aside from a vast range of colors, MTN 94 offers a nine step chromatic gradation for an incredible range of shading. For artists, this is a unique and invaluable tool when executing highly complex pieces of art. MTN 94 gives artists unmatched flexibility when trying to achieve precise nuances or effect.

ironlak

   Ironlak was born out of a desire to make quality spray paint more accessible. The end game was simple – more artists, making more art. The new and improved Lak represents the next frontier of graffiti spray paint. Over the last few years, we’ve incrementally redesigned every aspect of our product – and refined our quality control processes – to deliver you a spray can that is more reliable and an absolute dream to paint with. With upgraded pigments that last. A softer, more versatile valve system. And vibrant colours that offer superior coverage without blocking. You can create your work with confidence. Discover Ironlak today and make your mark on society.

Sugar

   A revolutionary health conscious formula, with high performance capabilities. It is unlike any aerosol product you’ve ever used and is the world’s first hybrid water and alcohol based acrylic aerosol paint. Sugar is harvested specifically to deliver the highest quality results for artists, with the lowest possible impact on your health and our environment.

   Our innovations in aerosol technology have lead to a unique formulation, which combines water with alcohol made from sugarcane to replace petroleum-based solvents. As a result, Sugar contains fewer Volatile Organic Compounds, meaning less toxins absorbed into the user’s body and less environmental impact, while still delivering a superior product that is designed to meet the modern needs of today’s artists.

Watercolor Paints

Daniel Smith

   Available in an astounding range of more than 235 colors, Daniel Smith Extra Fine Watercolors are made by hand in Seattle, Washington. This superior-quality watercolor line includes historical hues, amazing earths, and some of the brightest and boldest quinacridones ever formulated. More highly pigmented and finely ground than any watercolors on the market, Daniel Smith Extra Fine Watercolors also boast superior lightfastness, with 235 of the colors rated LR I or II. They have excellent brushing properties, resulting in clear, clean washes even when colors are layered. Daniel Smith's PrimaTek Watercolors let you flood your work with antiquity's most precious hues, such as Hematite, Tiger's Eye, Rhodonite, and Lapis Lazuli — gemstones and minerals that have captured artists' imaginations for hundreds if not thousands of years. These colors are made with authentic mineral pigments. Their effects are amazing and diverse, from warm and subtle to sparkling and vibrant. The Extra Fine Luminescent Watercolors employ miniscule particles of titanium-coated mica to achieve their dazzling properties. Use them alone or mix them with standard colors for striking effects. Iridescent/Pearlescent colors appear almost colorless straight from the tube, but when applied over a dark ground they create a fascinating sense of depth, along with intense color and sheen. Interference colors take on different hues depending on how the light is striking them from various points of view. For example, Interference Green looks like a shimmering, pearly green from one angle, but from another refracts a reddish hue. Duochrome colors bounce between two distinct colors depending on the reflective light — pure visual excitement!

M. Graham

   M. Graham watercolors are made with Northwest blackberry honey, recalling the practice of early artists who drew from nature for their materials as well as their subjects. This traditional base creates willing watercolors ready for your brush and yields even, fluid washes.

   Honey also allows for stronger, truer colors. With a complete range of pleasing pigments — from delicate tints to dark, concentrated colors — you’ll discover more color possibilities with M. Graham watercolors.

Winsor And Newton Professional Watercolors

   Since 1835, when Henry Newton and William Winsor introduced the first moist watercolors to the world, much of Winsor & Newton's reputation for supreme quality has stemmed from its Professional Watercolor range. More than 180 years later, the original Winsor & Newton moist watercolor continues to be formulated and manufactured according to the company's founding principles — to create an unparalleled watercolor range that offers professional artists the widest and most balanced choice of pigments with the greatest possible permanence. Through strict adherence to these founding principles, Winsor & Newton Professional Watercolors offer brilliance, transparency, and purity of color unparalleled by any other brand. For the 21st century, these key qualities are achieved through a combination of choice of raw materials, custom-made machinery, and expert formulation by experienced chemists and artists. Today, the Winsor & Newton Professional Watercolor range benefits from continued advancements in pigment technology and production methods, building on the company's already high standards to produce even brighter, more transparent, and more stable colors. Equally important, many of the formulations remain the same — proving that they cannot be bettered!

Winsor And Newton Cotman

   Cotman, from the makers of Winsor & Newton Professional Watercolors, offers a comparatively inexpensive selection of good-quality watercolors. The Cotman line includes both traditional pigments and reliable synthetic colors that replace some of the more rare and expensive pigments used in the Professional Watercolors. Winsor & Newton Cotman Watercolors represent superb value and are compatible with acrylics and gouache to produce combinations of opacity and transparency. They have excellent tinting strength.

Tel: 502-454-9954